|
Mr.Oohira, Hokkaido
February 2015 |
As everyone
says,
certainly Tiramisu is different from conventional
audio insulators.
I found out Hasehiro DIY speaker box kits in April 2014, and
bought
FE103-Sol
SSC coated MM-151S and FOSTEX
FE103-Sol.
The aging has progressed, and I was satisfied as
it was.
Using Tiramisu-SP, the resolution of the low
and high ranges was
totally different from before.
The
sound field has been sorted out, and each instrument
was
localized by Tiramisu-SP.
I really understand that I
heard the brass section closely packed
together till
now when I listen to Kenichi Tsunoda "BIG BAND
STAGE".
"The Best of Hayley Westenra" is a sense of clear
air, and
Hayley's soprano coexisting with a
powerful bass drum is the
best.
|
Mr.S, Miyagi Pref.
October 2014 |
| I used
Tiramisu-SP for MM-151 with FOSTEX
FK-10P. |
MM-151 with FOSTEX FK-10P |
My first impression
was
the performance space widened
using
Tiramisu-SP.
Even before, there was some
sound
spread in MM-151 with
FK-10P, and I was not
dissatisfied
with it.
However, the sound has
expanded
further to both sides of MM-151
with FK-10P,
and I got to be able to hear the reflected sound of
the
performance place
using Tiramisu-SP.
In jazz
trio, so far
the low pitch sound of bass guitar
and a
bass drum was somewhat
gathered together in the
center.
But they came into focus, became
to be heard
from their expected
places, the balance with the
piano
has been improved, |
and I became able to listen
comfortably.
I heard the sounding noise when blowing in
a tenor sax until now,
but the noise was
eliminated and it had come to be heard smoothly.
Also
the realism of the sound of a trumpet was increased,
besides,
the sound of a double bass that bounces
in bass range is pleasant
and the balance
with the bass drum has been improved.
Although the
sound image of a vocal has not changed, the presence
of a
singing voice has increased.
In addition, a way of
attenuation of reverberation sounds of a piano
and strings
was moe natural using Tiramisu-SP.
Furthermore, I exchanged
the front baffle boards of MM-151
for the SSC coated
ones.
As a result, a key touch of a piano
became more audible,
and the outline of each instrument has
become clear.
In the playing drums, the sound of cymbals
such as high-hat also
began to stand out.
As a whole I
feel it slightly shifted to high range side.
This time,
I purchased Harmony audio boards Tiramisu-SP and
SSC coated front baffle
boards at the same
time.
The effect by the exchange of the front baffles
became slightly
harder to understand since the change
by the effect of Tiramisu-SP
is large.
Once I removed
Tiramisu-SP but immediately returned.
It seems that
Tiramisu-SP has become an indispensable accessory
for
me.
Main System
SACD player: marantz
SA8003 | tube amp: Triode TRV-88SE
speakers: Hasehiro MM-151 with FOSTEX
FK-10P and Hasehiro UMU-131XS
|
|
Mr.Takizawa, Nagano
Pref.
February 2014 |
I give a
report on Tiramisu-DE (L).
I used it for a record player,
and listened to
SONNY
ROLLINS SAXOPHONE COLOSSUS
JUNE CHRISTY fair and warmer!
as
the trial musics.
As a
result, it became a light sound and skillfully
represented
the dry feeling of cymbal and vibraphone.
I
think that it was because Tiramisu-DE (L) absorbed unwanted
noise.
And the stability of a sound image localization was
slightly increased.
Turntable LINN Sondek LP12, Valhalla
power supply
Tonearm SME 3009
SII / Cartridge DENON DL-103
/ Equalizer LINN LINTO
photo-1 |
photo-2 |
The effectiveness of
Tiramisu-DE (L) varies by its placement position.
At
first I set Tiramisu-DE so as not to hit the legs of LINN
Sondek LP12
as shown in the photo-1, and I felt the effects
of Tiramisu-DE.
But a placement position of
Tiramisu-DE as shown in the photo-2
was more
effective.
I suppose Tiramisu-DE is positioned
directly under the driving motor of
the turntable LINN
Sondek LP12.
That sound will be retracted back and
dull when the Tiramisu-DE
are removed.
I could confirm
the sufficient effects of
Tiramisu-DE.
|
Mr.Takizawa, Nagano
Pref.
February 2014 |
I give a
report on Tiramisu-SP.
I listened to
ROSTROPOVICH & BRITTEN Schubert
ARPEGGIONE SONATA
Ella Fitzgerald &
Louis Armstrong Ella & Louis
as the trial
musics.
LM755A with KS12046 replica
(replicas of Western Electric WE755A and
KS12046)
on
SX-3 |
on a
chair |
First, I
listened to the sound in a state placed on VICTOR SX-3.
A
bass part of a cello sank down, and I could
understand the body
resonance of the cello by
Tiramisu-SP.
As freeing, the sound was suspended in the air
at will.
The same effect could be obtained at a vocal, so
the singing voice
and the song lyrics sank deeply into
my mind.
I reset on a chair and listened.
I felt the
effects of Tiramisu-SP with the same direction when
placed
on VICTOR SX-3, but the degree is small.
ProAC STUDIO
100
on a chair
As I thought, it becomes a good sound
releasability
by using Tiramisu-SP.
And I could feel the
varied distance between the singer's mouth
and the
microphone.
The sound floats lightly with a feeling to
depth.
But the sound clings to ProAC STUDIO 100 when
unusing Tiramisu-SP.
In case of KS12046 replica, the
effects of Tiramisu-SP was small
when placed on a chair,
but ProAC STUDIO 100 has a great effect
of Tiramisu-SP.
why?
This is probably effecting that ProAC STUDIO
100 is a rigid
nonresonant box, whereas KS12046
replica is a resonance box.
I feel like that chair
resonates with KS12046 replica.
It became a sound between
there is Tiramisu-SP and no Tiramisu-SP
when I put
cap nuts instead of Tiramisu-SP, but ProAC STUDIO
100
generated the incidental sounds caused by the
nuts.
Next, I placed ProAC STUDIO 100 on a speaker
stand.
on a
stand |
just on a
stand |
I couldn't understand the
effects of Tiramisu-SP.
A table part of the speaker
stand is equipped with spike pins upward.
When ProAC
STUDIO 100 is received by the spike pins,
it seems to be
the same effect as Tiramisu-SP.
TANNOY Autograph
mini
on a
stand
For TANNOY Autograph mini,
Tiramisu-SP produced the same effect
as KS12046 replica and
ProAC STUDIO 100.
Moreover, TANNOY Autograph mini exerted
the great effect
by Tiramisu-SP.
Tiramisu-SP has the
same effect on every loudspeaker depending on
the way of
the setting up.
Tiramisu-SP will eliminate the
oppressiveness of the sound
and will provide the
natural light sound.
The sound will fly around
delightedly.
"Tiramisu will give
wings!"
|
Mr.Kobayashi, Okayama
Pref.
July 2012 |
I bought one
set of Tiramisu-DE (M), and put them
under marantz CD
player SA-11S2 first.
Music increased in
thickness, especially a low-pitched sound region.
It became
an audible sound.
Next, I put them under feastrex
CV4055 tube amplifier using
all FINEMET®
transformers.
"Oh!"
I was surprised by that clear
sound.
I want to try out this and that by the drastic
change of that sound,
and I bought three sets of
Tiramisu-DE (M), in addition.
SA-11S2 |
CV4055
tube amp |
I
immediately put Tiramisu-DE under CV4055 tube amp using one
set
and the active loudspeakers using three sets.
(3-point supporting)
CHIE AYADO meets
JUNIOR MANCE TRIO LIVE:
high-resolution audio
Rather than a
live atmosphere, I feel like I am listening it
at a
recording studio.
I can hear all fine and small
sounds.
W.A.Mozart The Violin
Concertos:
Julia
Fischer
Tchaikousky Violin Concerto,OP.35:
Mayuko Kamio
Also, I feel like I am
listening the CDs at a recording
studio.
Something is different about
that enjoyment of listening to music.
Are they
perhaps an original sound...?
Somehow I don't like
these...
I can't enjoy listening to music...
I
thought awhile, and wished to try to switch from the
active
loudspeakers to my favorite WCW-F200A.
I carried that
heavy WCW-F200A from my bedroom to the living
room, |
WCW-F200A |
|
and switched.
I
listened to those again.
I was so impressed that
I had
goose bumps because of
an excellent
atmosphere of
CHIE AYADO's live
performance!
Violin concertos they played are
pleasant to listen to.
The effect of Tiramisu-DE
is
instantaneous.
|
The 3D sewn
sheet of Tiramisu-DE may become flattened
by
the weight of WCW
enclosure.
After the listening, I removed Tiramisu-DE from
WCW-F200A.
I used three
sets of Tiramisu-DE for marantz CD player SA-11S2
as
pictured top and marantz network audio player
NA7004. |
|
About marantz NA7004, I had
become
able to hear the music
interval of a low
frequency range,
especially 100Hz or the less.
About
marantz SA-11S2,
it became a thick powerful
low pitch
sound as DENON,
a full midrange and a high
pitch
sound not causing fatigue when
being listened
for a long time.
I understood very well that |
upside:
NA7004
| |
marantz SA-11S2 is a really good CD
player.
I am more than happy to the effect of
Tiramisu-DE.
By the way, why doesn't Tiramisu-DE match
the active loudspeakers?
The active loudspeakers
use feastrex field coil drivers.
It has a lot
more powerful damping force to back EMF than
the usual
drivers using permanent magnet.
Perhaps the
necessary resonance also disappeared by the synergism
of
its powerful damping force and Tiramisu-DE.
As a
result, I couldn't feel the sufficient effect of Tiramisu-DE
when
using only for marantz CD player SA-11S2.
However,
when using Tiramisu-DE for CV4055 tube amp and DAC
in
addition to marantz SA-11S2, the sound is like
a network
audio player!
I will surely enjoy a lot of music
by marantz CD player SA-11S2 which
has become almost rarely
used recently.
I really appreciate it.
My active loudspeakers:
feastrex NF-5ex
(drivers) | feastrex F-60 (enclosures)
|
|
| Harmony Audio Board
Tiramisu |
|
|
Hasehiro
Audio 
August
2017 |
― Report from Hasehiro
―
SSC coated Romantic Healing Vox is
completed.
In order to listen and compare, SSC coated
Romontic Healing Vox
and standard Romontic Healing Vox
were arranged side by side. |
| front
Inside |
Hasehiro
Premium Romantic Healing Vox |
| front
Outside |
SSC coated
Hasehiro Premium Romantic Healing
Vox | |
There is no difference in appearance, but
everyone should immediately
know which one is SSC coated
Romontic Healing Vox
if anyone hears both the
sounds.
The effect of SSC coating has come out clearly
much.
The treble side of bar chimes is a very serene
metallic sound,
and a real feast to the ears.
Vocals
became clearer, so lyrics enter in my mind.
SSC
compound is alcohols solvent containing silicon
nanospheres.
Therefore, SSC compound can penetrate evenly
and deeper
into the enclosures.
And SSC compound becomes
solid film inside it.
That solid film suppresses extra
incidental sound on the surface
of the enclosures and makes
a beautiful sound enclosures.
SSC coated Romontic
Healing Vox is coated with mirror urethane
on the SSC
coating, so the effect of SSC compound is suppressed
to
some extent.
On the contrary, it becomes a synergistic
effect,
it will be more elegant sound than just SSC
coating.
― Comment from The
Client ―
SSC coated Romontic Healing
Vox arrived safety.
I listened to the sound with temporary
placement, but I was surprised
by the sound beyond my
imagination.
I am still trying out various stands, spikes
and amplifiers,
but SSC coated Romontic Healing Vox is
already quite high level.
I imagined that the soft sound is
characteristic of
SSC coated Romontic Healing Vox, but it
has a very high resolution.
I think that it will take more
time to demonstrate the potential ability,
but I would like
to make the sound carefully.
First of all
thanks.
|
| Super Sound Coating
Compound |
  |
|
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world.
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